Blackmagic Design BMD-CINEURSABMNTPL URSA Cine Mount PL

Professional Lens Compatibility for URSA Cine Cameras
The Blackmagic URSA Cine Mount PL is a precision-engineered mount designed to integrate professional PL-mount lenses with the URSA Cine 12K LF camera system. Whether you're working on a feature film, commercial shoot, or television production, this mount provides filmmakers with the reliability and compatibility needed for high-performance cinema optics. It’s a critical component for productions that demand exacting image quality and flexibility in lens selection.

Engineered for Industry-Standard PL Optics
This interchangeable PL mount brings industry-standard lens compatibility to the URSA Cine workflow. Built to support a wide range of high-end cinema lenses, it accommodates both Super 35 and large-format optics, allowing cinematographers to choose from a vast catalog of professional glass. This ensures adaptability for virtually any visual style or shooting condition.

Flange Distance Accuracy for Optical Precision
Maintaining correct flange focal distance is essential in high-resolution cinematography, and the URSA Cine PL Mount delivers that accuracy with durable, machined metal construction. Designed for repeatable, secure lens attachment, it ensures focus consistency throughout every take. The mount’s locking mechanism prevents lens play, delivering rock-solid performance even in demanding production environments.

Interchangeable Mount System Offers Creative Flexibility
Like other mounts in the Blackmagic URSA Cine system, the PL mount is easily swappable with optional lens mounts such as EF, LPL, and others. This modularity allows DPs and rental houses to tailor the camera to each specific project without time-consuming recalibration. The ability to switch mounts means one camera body can cover a wide range of lens formats, from vintage primes to modern anamorphics.

Ideal for High-End Production and Post Workflows
URSA Cine users benefit from support for high bit-depth Blackmagic RAW workflows, and the PL mount ensures that the optical side matches the sensor’s capabilities. Whether shooting in 4K, 8K, or 12K, this mount helps preserve optical fidelity from the lens to the sensor. It's a natural fit for visual effects workflows, high-dynamic-range grading, and DCI-compliant post pipelines.