Premium Balanced XLR Microphone Cable, 3-Pin XLR Male to Female, 20 ft (6 m) Length, Shielded Studio-Grade Construction, Rugged Connectors, Strain-Relief Sleeves, Purple Color-Coded Jacket, RODECaster Pro II Compatible
All RØDE products are warranted for one year from date of purchase. If you purchased your microphone from us then you may be able to extend your warranty to two years, five years, ten years or lifetime (depending on the model) by registering the details of your purchase with Rode.
The Rode XLR-6 is a premium balanced XLR microphone cable, 20 ft (6 m) long, terminated with a 3-pin male XLR on one end and a 3-pin female XLR on the other. It is built for the connection that matters most in any rig - the run from a microphone or preamp into your interface, mixer, or recorder - and finished in a bold purple jacket so you can pick it out at a glance in a tangle of identical black leads. Every take you ever track passes through a cable like this one, and the XLR-6 is made so that link never becomes the weak point in your sound.
A 3-pin XLR cable is balanced, and that is what lets it carry quiet microphone-level audio over a 20 ft (6 m) run without picking up hum and buzz. Two of the pins carry the same signal in opposite polarity while the third acts as a shield and ground. At the far end, the receiving equipment flips one leg back and sums the pair; any noise the cable picked up along the way lands on both conductors equally and cancels out in that step, a process called common-mode rejection. The surrounding shield adds a second line of defense against radio-frequency and electromagnetic interference. The result is that even a long cable run next to power supplies, lighting, and other gear delivers the microphone's signal to your converter as cleanly as it left the capsule.
Cables almost never fail in the middle of the wire; they fail at the ends, where the connector meets the conductor and takes the strain of every plug, pull, and coil. The XLR-6 is manufactured to tight tolerances with rugged connector shells and molded strain-relief sleeves at both ends, so the flex point where cables usually crack is reinforced against the repeated bending of daily use. That durability is what separates a cable you buy once from one you replace every season, whether it lives in a permanent studio patch bay or gets coiled into a bag after every show.
The purple jacket is not just cosmetic - it is a workflow tool. Rode products such as the RODECaster Pro II give each input a color, and matching a purple cable to a purple-coded channel means you can trace any signal from the source to the board in a single glance instead of following a wire hand-over-hand. Assign purple to a specific host, guest, or instrument and your patching becomes faster and far less error-prone, especially in a busy podcast, streaming, or live setup where several XLR lines run side by side. When something needs troubleshooting mid-session, the color tells you which cable to check before you touch anything.
This cable is for anyone whose sound depends on a dependable XLR connection: the podcaster wiring dynamic mics into a color-coded console, the home-studio owner running a condenser into an interface, the streamer who wants a tidy and traceable desk, and the performer who needs a lead that survives the road. If you value a clean signal, a build that lasts, and the simple sanity of being able to find the right cable instantly, the purple XLR-6 earns its place in your kit and keeps earning it session after session.
| MPN | XLR6MPU |
|---|---|
| UPC / EAN | 698813010172 |
| Brand | Rode |
| Product Condition | New |
| Availability | In Stock |
| Type | Premium Balanced XLR Microphone Cable |
| Connectors | 3-Pin XLR Male to 3-Pin XLR Female |
| Length | 20 ft (6 m) |
| Signal | Balanced, Shielded for Low-Noise Transfer |
| Construction | Rugged Molded Connectors with Strain-Relief Sleeves |
| Compatibility | Any 3-Pin XLR Device; Rode Color-Coded Inputs (e.g. RODECaster Pro II) |